The question for sure could be, is it the fact that mr Oscar inspiration for the design of the "Alvorada" Palace got after one of the many speeches of the then president of Brazil, who at the time of construction Brazilie made his famous statement - question which was "What is the Brazilia, if not the dawn of a new day in Brazil," or is maybe the oposit that former president of Brasil Kubitschek inspired architect to vreate the modern - designed and built facility undoubtedly sophisticated lines to integrate him into their political speech, it does not matter ... because by the time the facility Palace "Dawn" appeared on stage Brazilie marked the beginning of the era of modern Brazil struktured in the object , from which the first man Brazil - governed the state.
The presidential palace is for sure the segment of the conceptual architecture, which certainly had a special significance in the complex that has done a number of buildings in the form of birds spread krila.
Distanced from the central position of Brasilia functional spine, made from administrative object but in the same time in special relationship with them , " Dawn Palace " has his own refined look ,towards design both in terms of exterior design, and in terms of interior design.
Developed from a model of the building in a small scale ,in an era
without computer architecture, an essential activity in the process of checking the relationship of the physical structure in relation to the environment object that gradi.Oscar model is used to the extent that they definitely needed and it is meant for every object that is in Brasilia was built under his master's stick.
Da li je Oscar insipiraciju za projektovanje objekta "Alvorada" Palace, dobio posle jednog od mnogih govora tadašnjeg predsednika Brazila koji je u vreme izgradnje Brazilie izrekao čuvenu konstataciju - pitanje koje je glasilo " Šta je Brazilia, ako nije zora novog dana u Brazilu ", ili je tog istog Kubitschek-a inspirisao moderno isprojektovan i izgrađen objekat nesumljivo sofisticiranih linija koje je on integrisao u svoj politički govor, sasvim je svejedno... jer od trenutka kada se objekat Palata "Zora" pojavio na pozornici Brazilie, označen je početak ere modernog Brazila strukturifikovanog u objektu, iz kojeg je prvi čovek Brazila - upravljao državom.
Predsednička palata predstavlja segment konceptualne arhitekture, koji je svakako imao poseban značaj u kompleksu koji je činio čitav niz objekata u formi ptice raširenih krila.Udaljen od centralnih pozicija i poseban u odnosu prema funkcionalnim karakteristikama objekta, "Palata Zora" predstavlja rafinirani odnos prema dizajnu, kako po pitanju eksterijera, tako i po pitanju enterijera.
Izrada modela-makete objekta u eri arhitekture bez računara, predstavljala je značajnu aktivnost u procesima provere odnosa fizičke strukture u odnosu na okruženje objekta koji se gradi.Oscar je makete koristio u meri koje su svakako bile potrebne a to je značilo za svaki objekat koji se u Braziliji gradio pod njegovom majstorskom palicom.
Objekat karakterišu konstruktivni elementi koji simbolizuju prirodu - kapi kiše iz brazilskih šuma koje se slivaju niz ivicu objekta.
The main charactersitic of the object is structural elements that symbolize nature - rain drops from Brazilian forests, running down the edge of the building.
Architecture of the building with such caracteristical elements of the facade undoubtedly had its multiple meanings usefulness to the exterior and the interior woodwork. Firstly as a functional need to reduce the brightness of the living by the positioning of "drops of water" - projected structural elements in the function of blinds - pillars at the edge direction of the horizontal projection of the roof plane. Secondly as a symbolic meaning of those elements is their schedule, which symbolizes the Atlantic waves lapping the shore countries Brazil, which is the president - the captain of the state ship was able to use to lead the ship toward the safe harbor and through its overall progress.
Arhitektura objekta sa tako karakterističnim elementima na fasadi nesumljivo je imala svoju višeznačnu svrsishodnost kako eksterijernih tako i elemenata u enterijeru. Jednu od njih svakako predstavlja funkcionalna potreba za smanjenjem dnevnog osvetljaja putem pozicioniranja "kapljica vode" - projektovanih konstruktivnih elemenata u funkciji brisoleja - stubova na ivici pravca horizontalne projekcije krovne ravni. Drugo, više simbolično značenje pomenutih elemenata je njihov raspored koji simbolizuje talase sa Atlantika koji zapljuskuju obale države Brazil, a koje je predsednik - kapetan broda bio u prilici da iskoristi kako bi brod - državu, usmerio u pravcu mirne luke i putem njenog sveopšteg napretka.
Grandiosity of the designed public spaces halls of the building,as a simbolic intension for openness of Brazil state premises and his chambers who will accommodate all those who can help him to his course on the path of progress. The ease of movement and symbolism in the choice of wood for the floor, which clearly resembles the decking, as well as openness of access deck - terrace with structural columns briss soleil through large glazed surfaces, were masterful example of the combination of modern postulates the design and construction of a public building.
Grandioznost projektovanih javnih prostora holova ovog objekta, govori o otvorenosti Brazila, da u svoje odaje primi sve one koji mu mogu pomoći da svoj kurs drži na putu napretka. Lakoća kretanja i simbolika u odabiru drveta za pod koji jasno asocira na brodski pod, kao i otvorenost pristupa palubi broda - terasi sa konstruktivnim stubovima brisolejima preko velikih zastakljenih površina, bili su majstorski primer kombinacije modernih postulata na projektovanju i izgradnji jednog javnog objekta.
The interior is a timeless study of the modern frame in the right light. Combination of carefully selected wood floors, while the present set of stylish chairs and cabinet - desk with modern tables and chairs designed by Charles and Ray Eames at the time when the building construction was in progress (1958.), suggest that the true values can never cease to be worthless , and with in more than just as the obvious facts, point in direction that this combination is transferred to modern interiors after 50 years still has a contemporary and powerfull approach to solving interior design in XXI - century.
Enterijer radne sobe predstavlja vanvremenski okvir moderne u pravom svetlu .Kombinacija pažljivo odabranog drveta za podove, sa istovremeno prisutnim setom stilskih stolica i kabineta - pisaćeg stola sa modernim stolovima i stolicama Charles and Ray Eames, dizajniranih upravo u vreme nastanka objekta(1958.), ukazuju na činjenicu da prave vrednosti nikada ne prestaju to i da budu, uz više nego očiglednu konstataciju da je ova kombinacija preneta na moderne enterijere i da i sada posle više od 50 godina predstavlja "modernu" kao savremen pristup rešavanja enterijera XXI - og veka.
In addition to the value of this object and its architecture, is the fact that this object is on top of the national list of protected objects of the Brazil.
U prilog vrednosti ovog objekta i njegove arhitekture, govori i činjenica da se on nalazi na vrhu nacionalne liste zaštićenih objekata Brazila.
